Frieda Christofides , Chico, 2022
Watercolor on paper, 12 x 9”
Courtesy of the artist
Artist’s Website, Instagram
It generated a poem
in the style and voice
of me. It could never feel
or smell that peeled
orange. It has no soul.
Someone else had to
tell it a watermelon’s
weight is like
a newborn. It never touched
a dog’s muzzle that lifted
like a chef trained
in France. It never felt
the ground with its own
lacy openings like latent
grief. It never heard
a ventilator
screaming. It never wrapped
and carried an injured rabbit.
It never had a mother
die. It never had a father
die. It never grinned,
never thinned from grief,
nor remembered
what it was like
to angle that straw.
It is incapable of hoping
for a meadow.
It is unconcerned
with the forest. I am
in the corner of the
living. I won’t outsource
the water lilies
that pulled my father
into the painting’s pond,
his morphine pump
loosening. I won’t outsource
how I watered
the plants of a friend
after my dog died
of seizures,
just so I could
save something.
Reader, would you ever
feign suffering?
The silent
tint of sundown,
how my father said
the robins should have left
by now, which was his way of saying
he would die in two weeks.
I can still see his orange
scarf flapping like a caught
bird. Can it tell me
which of these birds
is my mother?
Nature teaches
every day, swans
that are banking on
the warming water.
I’m breathless
as the sonnet
that took my father back
to the ocean, the sonnet
that keeps my mother
alive. I’m breathless
with knowing I am still
that small child
locked in a room
making books,
who in school refused to
dissect a pig. She would not
touch its small, pale heart.