Anastasia Yaroshevich, Path, 2024
Watercolor, ink, pen, 30 x 40 cm
Courtesy of the artist
Artist’s Instagram
Swimming by myself now
in a sea of genetics
Do you believe in inheritance, I ask
his left shoe
Tap once for yes
I wear my father’s bathrobe
his flannel brain
the soft fuzz of a reason
why
I wear his shoes
laced tight
against the current
Breeches on a line
Suspenders holding up history
A penchant for the tongues of others
slabbed between slices of carbohydrate cruelty
I lay my head on his pillow
a white bread tombstone
His flannel robe cuffed the tiny bones
where we could live
the small escapes
through a mother’s pierced ears
white rice and saffron
a woman dangling from the clouds
Inside the bosom of a rib-knit dress
was my mother
unzipped
There was no presence in there
only miles of track for silver children
to tug on
She went under a bus to find the pain
that belonged to a scream
Inside the bosom of that dress
was a woman riding the third rail
and electric children conducting her current
The house, full of unhappy adults
and children on their way to being unhappy
The house, a starved place
full of fatty sorrow
I didn’t know it was there
fortitude growing under the mattress
a pea of courage
iron blood charging a newly dug tunnel
or in spring
my marrow tapped for originality
on those few days when bones ran free
and April showered as May cowered
frightened of her own beauty